Musical buddy system for the win

Musical buddy system for the win

My favorite type of music making is collaborative music making. 

To me there's nothing more fun than playing or singing music with others. Chamber music, art songs, barbershop quartet, singing in a choir, accompanying my kids at violin recitals, playing in an orchestra.

Maybe that's because I'm a composer and a pianist who spends a lot of time alone in the composer cave.

The girl with the flaxen hair

The girl with the flaxen hair

In September 2002, I sat in a master class at BYU-Idaho waiting for my turn to accompany one of the class violinists. 

I wasn't thrilled to be there because the new freshman violinists were all scheduled to perform and they were almost always out of tune and scratchy sounding. Not my favorite.

A beautiful freshman girl with flaxen hair had her turn and I was pleasantly surprised.

Winds and Brass pieces appropriate for Sacrament Meeting

Winds and Brass pieces appropriate for Sacrament Meeting

If you love playing beautiful, Spirit filled music in church, I've got great news.

Last week I put together a little questionnaire for LDS Winds and Brass players. I received many wonderful thoughts and heartfelt ideas about music in the church generally as well as insights into what you are looking for when it comes to playing your instrument in a church service.

For the past few months I have been testing out many new ideas for LDS hymn arrangements written specifically for Woodwind and Brass instruments. 

An Easter Concert Review from a very opinionated music/composer/ conductor/singer/sacred-music nerd. The Mormon Tabernacle Choir and Orchestra at Temple Square.

An Easter Concert Review from a very opinionated music/composer/ conductor/singer/sacred-music nerd. The Mormon Tabernacle Choir and Orchestra at Temple Square.

This is the first Easter season that I have lived in Utah. During the previous 9 years, I had been extremely spoiled as a classical musician living in Cincinnati. The Lenten and Easter season on the Cincinnati scene is always packed with fantastic concerts of sacred music, many of which I sang in, and for several of which I composed the Eastertide music as composer-in-residence at the beautiful St. Thomas Episcopal Church.

Naturally, when I heard of this year’s Mormon Tabernacle Choir Easter Concert, which included a not too often performed, albeit beloved Beethoven sacred cantata, as well as a world premiere by Mack Wilberg, I was interested in attending.